Creative Work

ABL #52,  29 June, 2020

Chris Goode explores theatre as a live art based in community, encounters and conversation, a frame saying “now pay attention to this”. He talks us through his work, especially his online anthology of spoken word, What Words, and asks when, where and why we need language to work really hard as a container for the things we want to say.

ABL #49,  18 June, 2020

Kate Morrison tells us about her novel A Book of Secrets, and the challenges and joys of moving between creative and research-based writing. We hear about the real and reimagined experiences of black people in sixteenth-century England, print, gender and much more.

ABL #44,  9 June, 2020

Theatremaker Emma Frankland talks us through contemporary, devised and classical performance, taking in Ghostbusters, Don Quixote and John Lyly’s Galatea, and ranging from Jerwood Arts, Shakespeare’s Globe, Roehampton University, Cornish beaches and Stratford, Ontario.

ABL #30,  1 May, 2020

Following the cancellation of their 2020 production of Ben Jonson’s The Silent Woman due to COVID-19, Edward’s Boys perform extracts from the play and reflect on their experiences of rehearsing and (almost) performing it.

  • Scripted and presented by Harry McCarthy
  • Recorded by Eddie
  • Edited by Peter Knowles
  • Edward’s Boys: Callum; Enrique; Ewan; Felix; Jamie M; Joe M; Johan; Myles; Nilay; Rhys; Ricky; Ritvick; Seb; Tom H; Tom L; Will; Yiannis.
  • Directed and produced by Perry Mills

Music Credits: “Shanty Shanty”, “Without Name”, “Synthwave”, “Elipsis” and “Exess-1” by Electronic Senses, licensed under a Creative Commons Licence.

ABL #24,  27 April, 2020

Perry Mills discusses Edward’s Boys, a school theatre company specialising in non-Shakespearean early modern drama. He tells us about the company’s rehearsal process, production choices and what it means to work with such unusual and often surprisingly violent and sexual plays.

ABL #21,  23 April, 2020

John Wyver tells us about broadcasting theatre onscreen, the importance of creative practitioners and scholars being in open dialogue and the history of early TV.

ABL #15,  14 April, 2020

Sarah Grange tells us about Moll Frith (also known as Mary Frith), an early modern crossdresser, queer and transgender history and performance: ‘how to meet those people who lie outside of the cishet, white male trajectory of progressive history: not the dudes on horses’.