Julia Ftacek tells us about her work on trans literature in the eighteenth century and beyond, including ‘a surprisingly trans-feminine’ Gulliver’s Travels. She emphasises this period as the moment of transition between the idea of gender as having no biological destiny and the rise of scientific rationality and the idea of sexual anatomy dictating gender.
Happy Canada Day! In celebration, Canada’s finest and wisest queer poetics professor tells us about his new book, Shakespeare and Queer Representation and literature as an art of construction and decoration, an ‘aesthetically-ambitious art made out of words’.
Chris Goode explores theatre as a live art based in community, encounters and conversation, a frame saying “now pay attention to this”. He talks us through his work, especially his online anthology of spoken word, What Words, and asks when, where and why we need language to work really hard as a container for the things we want to say.
Theatremaker Emma Frankland talks us through contemporary, devised and classical performance, taking in Ghostbusters, Don Quixote and John Lyly’s Galatea, and ranging from Jerwood Arts, Shakespeare’s Globe, Roehampton University, Cornish beaches and Stratford, Ontario.
Will Tosh, Research Fellow and Lecturer at Shakespeare’s Globe, talks to Emma Whipday about little-known Elizabethan sonneteer (and friend of Shakespeare) Richard Barnfield, sexual identity, literature as consolation and why sexual desire is like a nest of snakes under a hedge…
Sarah Grange tells us about Moll Frith (also known as Mary Frith), an early modern crossdresser, queer and transgender history and performance: ‘how to meet those people who lie outside of the cishet, white male trajectory of progressive history: not the dudes on horses’.